Freaky Friday Playlist Aug-26-2011

Song: Changes
Album: Hunky Dory
Type: Rock
Singer: David Bowie
Rating: 4.5
I usually pick the first song of the FFP based on what is on top of my mind at that time. Today it happens to be Steve Jobs’ resignation. As I wrote in yesterday’s post, iPod/iTunes changed the way I listened to music so I thought I would start this FFP with the first song I bought on iTunes. By sheer coincidence, it happens to be “Changes”! Fantastic voice, some cool piano, a hint of sax – bliss. Three cheers to change!

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Song: Dil To Bachcha Hai
Album: Ishqiya
Type: Bollywood
Singer: Rahat Fateh Ali Khan
Music Director: Vishal Bhardwaj
Lyricist: Gulzar
Rating: 5.0
A really understated, subtle and easy-on-the-ears song. I love this song because it’s one of the rare ones where Rahat does not do a forced, Sufi-type, high-pitched sargam. The song is a complete, award-winning package – great composition, good singing and powerful lyrics. The accordion (maybe electronically rendered) gives the song a Mediterranean (or is it Arabic?) flavor that’s quite pleasant.

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Song: Dumadum Mast Kalandar
Album: Best of Runa Laila
Type: Indie
Artist: Runa Laila
Rating: 5.0
A head-bobbing, body-swaying, foot-tapping cracker of the song. I can listen to the song anytime just for Runa Laila’s voice. And though I can’t understand all the words, I can’t help be moved by spirit of the song.

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Song: Dancing Queen
Album: ABBA: Gold – Greatest Hits
Type: Pop
Artist: ABBA
Rating: 5.0
Such a cheerful, upbeat song – never fails to cheer me up! It has a wonderful element of surprise that come in songs that do this weird thing of starting at a high pitch and then cooling things down a bit. It feels like they’re singing the second line of the song first! The song starts with “You can dance, you can dance” at a pretty high pitch when a “normal” beginning would probably have been “Friday night and the lights are low”. I’m sure there is a technical term for this but to give you an example, it’s a bit like how “Aaj Phir Jeene Ki” starts with “Kaanto Se Kheech Ke Ye Aanchal”.

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Song: Jub Hum Jawan Honge
Album: Betaab
Type: Bollywood
Singer: Lata Mangeshkar, Shabbir Kumar
Music Director: R.D. Burman
Lyricist: Anand Bakshi
Rating: 3.7
The tune itself is good but I get terribly put off by Shabbir Kumar’s vocals. Lata’s fake, girlish laugh isn’t cool either.

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Song: Phoolon Ke Rang Se
Album: Prem Pujari
Type: Bollywood
Singer: Kishore Kumar
Music Director: S.D. Burman
Lyricist: Neeraj
Rating: 5.0
Among my top 10 favorite Kishore songs. Other than sentimental reasons, this was probably the first song where I paid attention to the words and realized how important their role in a song was.

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Song: Roobaroo
Album: Rang De Basanti
Type: Bollywood
Singer: Naresh Iyer, A.R. Rahman
Music Director: A.R. Rahman
Lyricist: Prasoon Joshi
Rating: 5.0
A power-packed, inspiring song. Highlights – powerful lyrics, the acoustic guitar, the backup vocals and chorus. Awesome song to play really, really loud.

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Song: Agar Tum Na Hote
Album: Agar Tum Na Hote
Type: Bollywood
Singer: Kishore Kumar
Music Director: R.D. Burman
Lyricist: Gulshan Bawra
Rating: 4.0
Quite melodic but not my favorite Kishore song. Pancham recycled the mukhda for this song from a song he had composed a couple of years ago that did not get much attention – “Humein Raaston Ki Zarrorat Nahin”. You can also hear traces of “Saagar Kinare” in that song!

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Song: Thaliritta Kinaakkal
Album: Moodupadam
Type: Mollywood
Singer: S. Janaki
Music Director: M.S. Baburaj
Lyricist: P. Bhaskaran
Rating: 5.0
A lovely, lovely, smooth-as-honey old-gold. Apart from one spot where the composer pushed S. Janaki to an impposibly high pitch – a PERFECT song.

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Song: Jaane Kyon
Album: Dil Chahta Hai
Type: Bollywood
Singer: Udit Narayan, Alka Yagnik
Music Director: Shankar-Ehsaan-Loy
Lyricist: Javed Akhtar
Rating: 4.3
Cool song to end this week’s FFP since SEL celebrated their 15 years together yesterday and Dil Chahta Hai was their first big hit. Not my favorite song from the movie (that would be “Kaisi Hai Ye Rut”) but pretty good. Love the African chants in the interludes.

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