Freaky Friday Playlist Sep-16-2011

Song: Stand By Me
Album: Don’t Play That Song
Type: Soul/R&B
Artist: Ben E. King
Rating: 5.0
The trigger for this FFP – the much hyped usage of Stand By Me in Dildara from Ra.One. I have seen only the promo clip of Dildara and though though some parts are predictable, I liked what I heard. But I am disappointed that some people dismiss the song simply because of the Stand By Me chorus. Given that the use of Stand By Me is with permission and credited and Dildara has original treatment, I don’t have a problem. And it’s hardly the first time people have looked to Stand By Me for inspiration – It’s been covered more than 400 times. And guess what, even John Lennon and Elton John have covered the song.
About Stand By Me – Ben E King had actually composed the song for another band but decided to sing it himself when the band said no. It’s a really simple song – a double bass (killer!), a shaker, a few strings and some understated backup vocals. The song derives its power from King’s soulful voice and the lyrics.

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Song: Karale Karalinte
Album: Udayanaanu Tharam
Type: Mollywood
Singer: Vineeth Srinivasan, Rimi Tomy
Music Director: Deepak Dev
Lyricist: Kaithapram
Rating: 4.4
A cool, fresh song guaranteed to cheer you up. Really love Vineeth’s singing in this one. The only thing I can’t place is the sense of familiarity when I hear this song. Does anyone know if the song is “inspired”? Video.
Song: Tauba Tumhare Ye Ishare
Album: Chalte Chalte
Type: Bollywood
Singer: Abhijeet, Alka Yagnik
Music Director: Jatin – Lalit
Lyricist: Javed Akhtar
Rating: 3.9
Except for the jarring percussions, it’s not a bad song. Tailor-made for Abhijeet.

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Song: Vellai Pookal
Album: Kannathil Muththamittal
Type: Koliwood
Singer: A.R. Rahman
Music Director: A.R. Rahman
Lyricist: Vairamuthu
Rating: 5.0
I am not a big fan of Rahman singing for his own compositions. Of late, I think he’s been singing songs that don’t fall in his sweet spot. But “Vellai Pookal” is something else. His singing is subtle and heart-felt and the composition enhances his voice. It’s a mostly acoustic track and it’s got a small, solo flute piece (Naveen Kumar?) which I absolutley love in Rahman’s songs. I was lucky enough to watch Rahman performing this live once – killer!
Song: Oru Naru Pushpamaay
Album: Megha Malhar
Type: Mollywood
Singer: Chitra
Music Director: Ramesh Narayan
Lyricist: O.N.V. Kurup
Rating: 5.0
While Bollywood has pretty much washed it’s hand off classical music, Malayalam movies have embraced it and music from that state is that much more richer because of it. And it’s not just Carnatic based music. Movies like Megha Malhar have used Hindustani music quite tasetfully. I am no classical music aficionado but I really enjoy semi-classical songs like “Oru Naru Pushpamaay” that make it easy for regular folks to appreciate classical music. Of course, it takes a genius like Chitra to pull something like this off. Not too many of those around.

           
Song: O Nigahen Mastana
Album: Paying Guest
Type: Bollywood
Singer: Kishore Kumar, Asha Bhonsle
Music Director: S.D. Burman
Lyricist: Majrooh Sultanpuri
Rating: 5.0
A light, carefree love duet. Although Asha gets credit in this song, it’s really Kishore’s flamboyant singing that dominates the song. That said, the song would not be what it is but for Asha’s “Mmhmm” – a delicious counterpoint to Kishore’s voice. This song has that Kishore signature (one of the earliest instances I think) where the music quiets down and Kishore sings in almost a whisper (beginning of last antara). Was it his or Burmanda’s idea? Pancham used this Kishore signature liberally in “Saagar Jaisi Ankhon Waali” (“Saagar”).

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Song: Aye Mere Dil Kahin Aur Chal
Album: Daag
Type: Bollywood
Singer: Talat Mahmood
Music Director: Shankar – Jaikishan
Lyricist: Shailendra
Rating: 4.9
Great composition, powerful words, great singing, cool accordion. Any wonder why they say old is gold?

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Song: Jame Raho
Album: Taare Zameen Par
Type: Bollywood
Singer: Vishal Dadlani
Music Director: Shankar – Ehsaan – Loy
Lyricist: Prasoon Joshi
Rating: 3.9
Not the most popular TZP track, but Jame Raho is actually a pretty good song. I like how the song alternates between a dark, ominous piece and a beautiful melodic piece sung by Shankar that almost does not fit in the song (wonder why he’s not credited on the song). While it is not the easiest listen, it is a cool song with a great message!

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Song: Bulla Ki Jana
Album: Rabbi
Type: Indie
Artist: Rabbi Shergill
Rating: 4.9
This song is an example of music breaking the language barrier. I absolutely loved the song the first time I heard it even though I did not understand the words. Of course, the song became even better after I looked up the meaning of the Punjabi lyrics. Hats off to Rabbi Shergill for taking a Sufi poem (written by Bulleh Shah) and presenting it in a refreshing pop/rock format. The song dominated the air-waves in 2005 and one of the few chartbusters that truly deserve their success.

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Song: Arziyan
Album: Delhi-6
Type: Bollywood
Singer: Javed Ali, Kailash Kher, A.R. Rahman
Music Director: A.R. Rahman
Lyricist: Prasoon Joshi
Rating: 4.9
It’s a shame that Bollywood does not use Javed Ali more often. The guy is a really good singer and in danger of becoming a wasted talent. ARR does the right thing by reinging in Kailash Kher for the most part and letting Javed’s soulful voice permeate through the song (not that I don’t like Kher’s voice, quite the opposite). A gem of a song from a gem of an album.

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