Author Archives: Param

1940s Hindi Films Albums Now Listed On MySwar

When we launched MySwar.in late last year, we had Hindi film music listings for four decades, from 1971 to the present. Since then we have added three more decades – the 1960s, the 1950s and yesterday, the 1940s. We now have information on seven decades of Hindi film music in one place.

1940s was a significant period in Hindi film music. The legendary singer, K.L. Saigal’s death in 1947 and India’s independence and Partition effected a change of guard of sorts in Hindi film music. With K.L. Saigal’s passing away, the tragic hero persona, that was pervasive in the music of that time, faded away and male singers, on whom Saigal had cast a long shadow, developed their own singing styles. Noor Jehan’s migration to Pakistan, following the Partition, paved the path for Lata Mangeshkar’s meteoric rise as the premier female singer in Hindi films for decades to come. There was an infusion of new talent and the decade saw the debut and rise of singers like Shamshad Begum, Lata Mangeshkar, Geeta Dutt, Asha Bhosle, Mohammed Rafi, Kishore Kumar, Mukesh and Manna Dey; music directors like Khemchand Prakash, Naushad, C. Ramchandra, S.D. Burman and Shankar – Jaikishan; and lyricists like Majrooh Sultanpuri, Shakeel Badayuni, Sahir Ludhianvi and Shailendra. Film music became a melting pot of a variety of musical influences. In the 40s, it absorbed folk and classical music influences and started developing the unique, multi-faceted character that defines Bollywood music today.

Back to the update – while the film/song listings for the 1940s are up on MySwar, we haven’t updated the song genres and YouTube embeds. This will take some time. Tracing the actual songs (audio and video) is more and more difficult as we go back in the past. If you have the time and inclination, you can help us by submitting high-quality (relatively speaking) YouTube URLs on MySwar (register, login, go to the song page and click Update in the Video section).

The Beatles In Bollywood

Some time ago, I wrote a post on the influence of Indian music on The Beatles. Many people landed on that post looking for The Beatles’ influence on Indian music, so I thought it was time to do a round-up of The Beatles in Bollywood:

Dekho Ab Toh (Janwar, 1965) – Not only is the song a rip-off of The Beatles’ I Want To Hold Your Hand, it also has Shammi Kapoor and four other actors cloning the band’s haircut.

Dil Se Kya Sahi (Imaan, 1974) – In this R.D. Burman song, the line “Aaj Jhoomen Zara…” is an adaptation of the line “I Once Had A Girl…” from Norwegian Wood.

Humne Kabhi Socha Nahi (Jeevan Mukt, 1977) – R.D. Burman was perhaps fascinated by Norwegian Wood. After using the tune in Dil Se Kya Sahi, he used it again in Humne Kabhi Socha Nahi.

Dil Usse Do Jo Jaan De De (Andaz, 1971) – This song uses the tune of the line “What Would You Do If I Sang Out Of Tune….” from A Little Help From My Friends.

Hum Jab Honge Saath Saal Ke (Kal Aaj Aur Kal, 1971) – While the tune of the song itself is original, the lyrics are likely inspired by The Beatles’ “When I Am Sixty Four”.

Do you know of any other Beatles’ influence in Bollywood?

The Top 100 Bollywood Songs Of 2012

For the complete listing of songs with a rating of 3 and higher (on a scale of 5), go to the popular song listing for 2012 on MySwar.

Also check out the playlist of randomly-picked well-rated songs of 2012. (Note: Click Shuffle to refresh the playlist.)

And now, for the Top 100 Bollywood songs of 2012:

  1. Tore Bina
  2. Bolo Na 
  3. Motorwada
  4. Kahaani (Female)
  5. Keh Ke Lunga
  6. Raabta (Night In A Motel)
  7. Broken Promises
  8. Phir Le Aya Dil (Reprise)
  9. Main Kya Karoon
  10. Kyon
  11. Jugni
  12. Pareshaan
  13. Yaariyaan
  14. Yaariyaan (Reprise)
  15. Phir Le Aya Dil
  16. Kiklikalerdi
  17. Luni Hasi (Female Version)
  18. Abhi Abhi (Duet)
  19. Ek Nai Roshni
  20. Raabta (Kehte Hain Khuda Ne)
  21. Raabta (Siyaah Raatein)
  22. Raabta
  23. Gustakh Dil
  24. Aashiyan (Solo)
  25. Saawali Si Raat
  26. Navrai Maajhi
  27. Phir Le Aaya Dil (Redux)
  28. Mere Nishaan
  29. Laakh Duniya Kahe
  30. Badal Uthiya
  31. Piya Tu Kaahe Rootha Re
  32. Kahaani
  33. Ala Barfi (Kaju Barfi)
  34. Challa
  35. Heer
  36. Aashiyan (Duet)
  37. Tum Hi Ho Bandhu
  38. Ala Barfi
  39. Muskaanein Jhooti Hai
  40. Tera Mera Naam
  41. Bas Main Aur Tu
  42. Bas Main Aur Tu (Reprise)
  43. Rumani
  44. Dhak Dhuk
  45. Kiklikalerdi (Punjabi Version)
  46. Luni Hasi (Male Version)
  47. Jiya Laage Na
  48. Lootnewale
  49. Lootnewale (Reprise)
  50. Badal Uthiya (Reprise)
  51. Ekla Cholo Re
  52. Moora
  53. Tears Of Joker
  54. English Vinglish (Male Version)
  55. Chup Chup Ke
  56. Uska Hi Banana
  57. Majboor Tu Bhi Kahin
  58. Luv Shuv Tey Chicken Khurana
  59. Chup Chup Ke (Film Version)
  60. O Re Khuda
  61. Mahek Bhi
  62. English Vinglish (Female Version)
  63. Rab Ka Junoon
  64. Jiya Re
  65. Jee Le Zara
  66. Pad Gaye Tere Pyaar Mein
  67. Dost Hai (Girl I Loved You)
  68. Sharminda Hoon
  69. Phoolon Jaisi
  70. Kya Hai Mohabbat
  71. Hosanna
  72. Moments In Kerala
  73. Aromale (My Beloved)
  74. Piya O Re Piya
  75. Hunter
  76. Tera Naam Japdi Phiran
  77. Tain Tain To To
  78. Tera Naam Japdi Phiran (Version 2)
  79. Luttna (Version 2)
  80. Luttna (Saif Ul Malook)
  81. O Womaniya Live
  82. Kaala Rey
  83. Taar Bijli
  84. Dil Yeh Awaaz De
  85. Mashallah
  86. Baanwra Mann
  87. Jabse Mere Dil Ko Uff
  88. Aansu Kabhi Chhalke Nahin
  89. Chhi-chha Ledar
  90. Electric Piya
  91. Aami Shotti Bolchi
  92. Bechain Sapne
  93. Ishan
  94. Jeene Ki Wajah
  95. Samay
  96. Tu Jaldi Bata De
  97. Koi Kahin
  98. Main Radha Tu Shaam
  99. Hote Hote
  100. Abhi Abhi (Male)

This listing is as of the time of posting. I’ll update this post once a week for the next two weeks. If you disagree with this list, make your voice heard by registering and rating on MySwar.in.

[Update: Final ranking as of Jan 8, 2013]

iTunes Quietly Launches Music And Films In India (Links Available On MySwar)

Digital India was abuzz yesterday with news of iTunes launching its music and films stores in India. I particularly liked the following posts covering the launch:

http://nh7.in/indiecision/2012/12/04/rip-and-run-itunes-india-store-is-finally-here

http://www.medianama.com/2012/12/223-apple-finally-extends-itunes-store-to-india/

While the buzz is mostly positive:

 

,there were some who were not very impressed, like in this comment thread on Medianama.

I think the iTunes launch is a great step forward for digital music in India and while it will have no impact on hard-core freeloaders, it will have huge appeal for people who want easy access to digital music.

iTunes links were already available on MySwar.in in US, UK, Canada. Starting yesterday, iTunes links are available in India as well. The shopping cart icons at the song level link to iTunes India and the album level to Flipkart. This is just a quick fix and we are working on improving this feature.

Mavrix Monthly Update October 2012

A quick note on what we shipped last month:

  1. Prompt for search box. This is a small thing but people were typing all kinds of things in the search box (like “download please”), so we thought a prompt might help. Just to clarify – you can search for albums, songs or artists.
  2. Sorting. Now you can sort album and song listing pages based on a number of parameters.
    1. Song listings can be sorted on Song , Album, Year or Rating
    2. Album listings can be sorted on Album, Year or Rating
    3. A bunch of minor bug fixes and improvements

We haven’t posted a many updates in the last couple of months but that’s only because, we’re working on some big ones that should be rolled out by year-end. Stay tuned!

Mavrix Monthly Update August 2012

Here’s what we shipped this month on MySwar:

  1. Added Facebook Like and Google + buttons for artists, albums and songs.
  2. Personalize recommendations – If you have subscribed for the new release mailer, you’ll start seeing personalized song recommendations from the newly released albums based on your ratings. The more songs you rate, the better our recommendations.
  3. Artist aliases – We have spent a lot of effort standardizing artist names (lndeevar/Indivar) so when you go to the artist page, you are looking at the complete discography for that artist. However, till now we didn’t have an approach to present a complete discography for artists who have been credited with different names in different songs/albums. For example, Poornima and Sushma Shreshtha used to go to different artist pages and therefore different discographies, even though they are the same person. We’ve addressed this issue by tying up artists credited under different names. At the album/song level, you’ll see the artist name as credited but when you search for an artist or click on an artist link you’ll see consolidated information that includes all name variations. Here are the name variations we know of and that we addressed in this release. If you know of other variations, please let us know.

Musicians Don’t Matter In India?

Shubha Mudgal posted the following series of tweets yesterday.


Ms. Mudgal has been quite vocal about the issue of artists not getting credited properly. She’s right, of course. In a country dominated by film music, people seem to associate music a lot more with the actors on which the songs are filmed than on the artists who contribute to the song – the music directors, lyricists and singer. This was evident when a series of “Rajesh Khanna playlists” erupted on the internet following the actor’s recent demise. I stayed away from that bandwagon and so did some others, but we were probably a minority trying to overcompensate for the skewed focus of the majority:

Google search gives an indication of what the average Indian listeners, music labels and music websites focus on. “Mallika Sherawat songs” gives 3.7 million results, while “Shubha Mudgal songs” gives only 500K results. Given the popularity of film music, the strong association with actors is understandable but it’s really unfair to cut musicians out of the picture altogether.

While some tagging issues come from the labels’ desire to market the music, some originate purely due to clerical errors. Some recent examples:

  • Irshad Kamil was not included in the credits for Rockstar during its launch.
  • Raabta (Night In A Motel) (Agent Vinod, 2012) was incorrectly credited to Hamsika Iyer instead of Aditi Singh Sharma. Hamsika did give vocals to the Siyaah Raatein version though.
  • The duet version of Abhi Abhi (Jism 2, 2012) is wrongly credited to Shreya Ghoshal instead of Akriti Kakkar.

Because music is universal (partly because of it’s wide appeal, but also because it’s the easiest art form to consume), we assume that music is equally important to everyone. The truth, however, is that not everyone is as passionate about music as Ms. Mudgal is, or even as much as a true music lover is. This obviously does not solve the problem of musicians not getting their due credit, but maybe it reassures them that they do matter to the people who really matter – their fans.

Mavrix Monthly Update June 2012

Here’s what we shipped this month:

  1. Advanced search URLs – You can now share advanced search results through a URL. Here is a list of song sung by Lata Mangeshkar, composed by R.D. Burman and written by Gulzar.
  2. Popular songs by Genre and Year – The genre and year listing can be pretty heavy. To give you an easy way to explore those listings, we’ve replaced the Popular Songs list on the right sidebar, with a refined list relevant for the page you’re on. For example, if you’re browsing the album listing for 2011, the right sidebar will show you the most popular Hindi film songs (as rated by MySwar users) in 2011.  Similarly, if you are on the Rock genre page, the right sidebar will show the most popular Rock influenced Hindi film songs.
  3. Brand new backend – No change for users of MySwar, except that you will see new albums/updates sooner.

Mavrix Monthly Update May 2012

Not many updates this month except that we have shipped a lot of new features. Check them out and let us know what you think:

  1. Ability to watch song videos. From Tadbeer Se Bigdi Hui to Pareshaan.
  2. Forgiving search – Addresses transliteration variations and common typos. Searching for “nakab” will return results containing “naqab” and “naqaab” as well.
  3. Improved rating UX – Improved rating image and behaviour; Ability to rate albums and songs from almost everywhere on the website
  4. Improved sorting of popular songs
  5. Easy-to-follow prompt for newly registered users to rate songs
  6. Standardized look and feel of pages
  7. Ability to recover username in case users forget it
  8. Most popular songs at artist level. This is only available for artists for whom we have sufficient number of song ratings. Like Kishore Kumar.
  9. Added Facebook like box on right sidebar to make it easy for you to like us (*nudge*).
  10. Minor UI improvements
  11. Bug fixes

Piracy, Copyright Law and Social Trends

This post is prompted by a comment on my review of Partners In Crime, a documentary covering the grey areas of piracy. In my view, the grey areas discussed in this DVD do not legitimize piracy, they expose deficiencies in copyright law.

Piracy has been around for a long time and will continue to be around forever. That does not make it legitimate. (Is the world’s oldest profession legitimate?) However, some people take its pervasiveness in society as an indicator of its legitimacy. Some people engage in piracy because they either don’t understand or are confused about what counts as piracy. While I am not a legal expert, I think the following guidelines can be used to determine if copyright violation is involved:

  1. Performance – Any commercial, for-profit performance without licensing is a violation. IPRS publishes a list of performances that require licensing – http://iprs.org/tarifflist.asp
  2. Distribution/Publishing – If you’re distributing/publishing copyrighted work, you should have a license. If you don’t, you’re infringing on someone’s copyright. There are some exceptions for fair use. For example, if you’re reviewing a book, quoting small excerpts from it is OK.
  3. Consumption – You are probably involved in copyright violation if your content comes from a distributor/publisher who has not acquired license to distribute the content. (Hint: If a website gives away for free, what others sell; it is highly probable that they don’t have a license to distribute the content.)

Taking these guidelines, here’s my assessment of some cases that seem to confuse people:

  1. We made photocopies of books in college. Isn’t that legal? – Not legal. Every book notifies the readers of copyrights – “No part of this book may be reproduced or transmitted in any form….without the prior written permission of the publisher.”
  2. Singing a song in college fest – Since it’s not for profit it’s not a copyright violation.
  3. Artists make songs inspired by other tunes all the time. Isn’t that a problem? – Yes it is. These artists would be deemed as infringing copyright if similarity with the original, copyrighted song can be proved. There are several cases of artists being sued because of this.
  4. Artists sample music of other artists all the time – Sampling of music is a contentious area. Some contend that it is copyright infringement, others say it’s fair use. Here is one site that describes what is fair use and what’s not when it comes to sampling.
  5. Everybody records songs at concerts – If it’s without permission, it’s an infringement. Most concerts inform you that you cannot record the performance.
  6. Sharing with friends and family.
    1. Sharing digital music with immediate family is OK.  This is the reason digital stores give you a license to download/copy purchased music on a certain number of devices.
    2. Sharing digital content with friends is a violation of copyright. Let them pay for their own music/movie/book.
    3. Lending a book or a CD/DVD to a friend is OK. But if the friend rips the CD/DVD or photocopies the book, then there is copyright violation.
    4. Listening to your CD while your friends are home is not a copyright violation.
    5. We see copied pictures of Mona Lisa everywhere. Isn’t that an issue? – No. Mona Lisa is out of copyright and in the public domain. People can make copies of it, or copies of copies and not be in violation of copyright. The same rule applies to Shakespeare’s works, classical compositions and folk art. You can freely copy and distribute current Bollywood movies/songs in another 60 years (provided the law does not change). Here is the copyright duration in various countries.

The guideline of “it’s OK to download stuff for free and share if it’s for personal/friends and family entertainment” is naïve and just plain wrong. Artists, musicians, authors, publishers, distributors would be robbed of their livelihood if every consumer started to use this rationale to get content for free from illegal sources.

This is not to say that copyright laws are perfect. There are people far more knowledgeable than me who are asking these laws to be amended. Here is one assessment of the copyright amendment bill that was passed recently in India. At a high level, I think copyright law should do the following:

  1. Facilitate easy, legal and fairly priced access to content to all consumers
  2. Enable copyright owners and content creators to profit from their content
  3. Enable publishers, distributors to license copyrighted content easily and at a fair price.