Tag Archives: Bollywood

1940s Hindi Films Albums Now Listed On MySwar

When we launched MySwar.in late last year, we had Hindi film music listings for four decades, from 1971 to the present. Since then we have added three more decades – the 1960s, the 1950s and yesterday, the 1940s. We now have information on seven decades of Hindi film music in one place.

1940s was a significant period in Hindi film music. The legendary singer, K.L. Saigal’s death in 1947 and India’s independence and Partition effected a change of guard of sorts in Hindi film music. With K.L. Saigal’s passing away, the tragic hero persona, that was pervasive in the music of that time, faded away and male singers, on whom Saigal had cast a long shadow, developed their own singing styles. Noor Jehan’s migration to Pakistan, following the Partition, paved the path for Lata Mangeshkar’s meteoric rise as the premier female singer in Hindi films for decades to come. There was an infusion of new talent and the decade saw the debut and rise of singers like Shamshad Begum, Lata Mangeshkar, Geeta Dutt, Asha Bhosle, Mohammed Rafi, Kishore Kumar, Mukesh and Manna Dey; music directors like Khemchand Prakash, Naushad, C. Ramchandra, S.D. Burman and Shankar – Jaikishan; and lyricists like Majrooh Sultanpuri, Shakeel Badayuni, Sahir Ludhianvi and Shailendra. Film music became a melting pot of a variety of musical influences. In the 40s, it absorbed folk and classical music influences and started developing the unique, multi-faceted character that defines Bollywood music today.

Back to the update – while the film/song listings for the 1940s are up on MySwar, we haven’t updated the song genres and YouTube embeds. This will take some time. Tracing the actual songs (audio and video) is more and more difficult as we go back in the past. If you have the time and inclination, you can help us by submitting high-quality (relatively speaking) YouTube URLs on MySwar (register, login, go to the song page and click Update in the Video section).

The Beatles In Bollywood

Some time ago, I wrote a post on the influence of Indian music on The Beatles. Many people landed on that post looking for The Beatles’ influence on Indian music, so I thought it was time to do a round-up of The Beatles in Bollywood:

Dekho Ab Toh (Janwar, 1965) – Not only is the song a rip-off of The Beatles’ I Want To Hold Your Hand, it also has Shammi Kapoor and four other actors cloning the band’s haircut.

Dil Se Kya Sahi (Imaan, 1974) – In this R.D. Burman song, the line “Aaj Jhoomen Zara…” is an adaptation of the line “I Once Had A Girl…” from Norwegian Wood.

Humne Kabhi Socha Nahi (Jeevan Mukt, 1977) – R.D. Burman was perhaps fascinated by Norwegian Wood. After using the tune in Dil Se Kya Sahi, he used it again in Humne Kabhi Socha Nahi.

Dil Usse Do Jo Jaan De De (Andaz, 1971) – This song uses the tune of the line “What Would You Do If I Sang Out Of Tune….” from A Little Help From My Friends.

Hum Jab Honge Saath Saal Ke (Kal Aaj Aur Kal, 1971) – While the tune of the song itself is original, the lyrics are likely inspired by The Beatles’ “When I Am Sixty Four”.

Do you know of any other Beatles’ influence in Bollywood?

The Top 100 Bollywood Songs Of 2012

For the complete listing of songs with a rating of 3 and higher (on a scale of 5), go to the popular song listing for 2012 on MySwar.

Also check out the playlist of randomly-picked well-rated songs of 2012. (Note: Click Shuffle to refresh the playlist.)

And now, for the Top 100 Bollywood songs of 2012:

  1. Tore Bina
  2. Bolo Na 
  3. Motorwada
  4. Kahaani (Female)
  5. Keh Ke Lunga
  6. Raabta (Night In A Motel)
  7. Broken Promises
  8. Phir Le Aya Dil (Reprise)
  9. Main Kya Karoon
  10. Kyon
  11. Jugni
  12. Pareshaan
  13. Yaariyaan
  14. Yaariyaan (Reprise)
  15. Phir Le Aya Dil
  16. Kiklikalerdi
  17. Luni Hasi (Female Version)
  18. Abhi Abhi (Duet)
  19. Ek Nai Roshni
  20. Raabta (Kehte Hain Khuda Ne)
  21. Raabta (Siyaah Raatein)
  22. Raabta
  23. Gustakh Dil
  24. Aashiyan (Solo)
  25. Saawali Si Raat
  26. Navrai Maajhi
  27. Phir Le Aaya Dil (Redux)
  28. Mere Nishaan
  29. Laakh Duniya Kahe
  30. Badal Uthiya
  31. Piya Tu Kaahe Rootha Re
  32. Kahaani
  33. Ala Barfi (Kaju Barfi)
  34. Challa
  35. Heer
  36. Aashiyan (Duet)
  37. Tum Hi Ho Bandhu
  38. Ala Barfi
  39. Muskaanein Jhooti Hai
  40. Tera Mera Naam
  41. Bas Main Aur Tu
  42. Bas Main Aur Tu (Reprise)
  43. Rumani
  44. Dhak Dhuk
  45. Kiklikalerdi (Punjabi Version)
  46. Luni Hasi (Male Version)
  47. Jiya Laage Na
  48. Lootnewale
  49. Lootnewale (Reprise)
  50. Badal Uthiya (Reprise)
  51. Ekla Cholo Re
  52. Moora
  53. Tears Of Joker
  54. English Vinglish (Male Version)
  55. Chup Chup Ke
  56. Uska Hi Banana
  57. Majboor Tu Bhi Kahin
  58. Luv Shuv Tey Chicken Khurana
  59. Chup Chup Ke (Film Version)
  60. O Re Khuda
  61. Mahek Bhi
  62. English Vinglish (Female Version)
  63. Rab Ka Junoon
  64. Jiya Re
  65. Jee Le Zara
  66. Pad Gaye Tere Pyaar Mein
  67. Dost Hai (Girl I Loved You)
  68. Sharminda Hoon
  69. Phoolon Jaisi
  70. Kya Hai Mohabbat
  71. Hosanna
  72. Moments In Kerala
  73. Aromale (My Beloved)
  74. Piya O Re Piya
  75. Hunter
  76. Tera Naam Japdi Phiran
  77. Tain Tain To To
  78. Tera Naam Japdi Phiran (Version 2)
  79. Luttna (Version 2)
  80. Luttna (Saif Ul Malook)
  81. O Womaniya Live
  82. Kaala Rey
  83. Taar Bijli
  84. Dil Yeh Awaaz De
  85. Mashallah
  86. Baanwra Mann
  87. Jabse Mere Dil Ko Uff
  88. Aansu Kabhi Chhalke Nahin
  89. Chhi-chha Ledar
  90. Electric Piya
  91. Aami Shotti Bolchi
  92. Bechain Sapne
  93. Ishan
  94. Jeene Ki Wajah
  95. Samay
  96. Tu Jaldi Bata De
  97. Koi Kahin
  98. Main Radha Tu Shaam
  99. Hote Hote
  100. Abhi Abhi (Male)

This listing is as of the time of posting. I’ll update this post once a week for the next two weeks. If you disagree with this list, make your voice heard by registering and rating on MySwar.in.

[Update: Final ranking as of Jan 8, 2013]

Playlists – Now on MySwar!

We have playlists on MySwar now! To save you the trouble of individually picking songs for the playlists, we’re rolling out a bunch of pre-packaged ones. You can find the Playlist button all over our website. Here is a list of the types of playlists we have for you:

Album playlist – Playlist button on the album page.

Similar songs playlist – Playlist button on the song page in “Songs like this” section

Year playlist – On the browse year page.

Popular songs of the year playlist – One the popular songs of the year page

Genre playlist – On the browse genre page

Popular songs of the genre playlist – On the popular songs of the genre page

New release playlist – Playlist button on the new release page

Popular new release playlist – Playlist button on popular new release page

Award winning playlist by award – Playlist button on Award page

Award winning playlist by year – Playlist button on award by year page

Singer playlist – Playlist button on singer listing page

Lyricist playlist – Playlist button on lyricist listing page

Music director playlist – Playlist button on music director listing page

Popular songs of artist playlist – Playlist button on popular songs of artist page

MySwar playlist (requires login) – Playlist button on discover page

Advanced playlist – Playlist button on advanced search results page

We’re kicked about this feature and we do hope you like it. Try it out and let us know what you think. And spread the word, please.

Musicians Don’t Matter In India?

Shubha Mudgal posted the following series of tweets yesterday.


Ms. Mudgal has been quite vocal about the issue of artists not getting credited properly. She’s right, of course. In a country dominated by film music, people seem to associate music a lot more with the actors on which the songs are filmed than on the artists who contribute to the song – the music directors, lyricists and singer. This was evident when a series of “Rajesh Khanna playlists” erupted on the internet following the actor’s recent demise. I stayed away from that bandwagon and so did some others, but we were probably a minority trying to overcompensate for the skewed focus of the majority:

Google search gives an indication of what the average Indian listeners, music labels and music websites focus on. “Mallika Sherawat songs” gives 3.7 million results, while “Shubha Mudgal songs” gives only 500K results. Given the popularity of film music, the strong association with actors is understandable but it’s really unfair to cut musicians out of the picture altogether.

While some tagging issues come from the labels’ desire to market the music, some originate purely due to clerical errors. Some recent examples:

  • Irshad Kamil was not included in the credits for Rockstar during its launch.
  • Raabta (Night In A Motel) (Agent Vinod, 2012) was incorrectly credited to Hamsika Iyer instead of Aditi Singh Sharma. Hamsika did give vocals to the Siyaah Raatein version though.
  • The duet version of Abhi Abhi (Jism 2, 2012) is wrongly credited to Shreya Ghoshal instead of Akriti Kakkar.

Because music is universal (partly because of it’s wide appeal, but also because it’s the easiest art form to consume), we assume that music is equally important to everyone. The truth, however, is that not everyone is as passionate about music as Ms. Mudgal is, or even as much as a true music lover is. This obviously does not solve the problem of musicians not getting their due credit, but maybe it reassures them that they do matter to the people who really matter – their fans.

What’s Your Bollywood Music Quotient

How well do you know your Bollywood music? Try out this quiz and find out.

[polldaddy survey=”D44FF460D0D14DD7″ type=”button” title=”Take The Quiz!” style=”rounded” text_color=”121AFF” back_color=”78C2FA”]

If you need help, try these:

  1. Yeh Dosti Hum Nahin Chhodenge
  2. Mujhe Pyar Tumse Nahi
  3. Kishore Kumar
  4. Black’s vocal track
  5. Allah Ke Bande
  6. Kuch Na Kaho (Female version)
  7. Shankar – Jaikishan
  8. First Filmfare Award for Best Female Playback Singer
  9. A.R. Rahman’s first original score for a Hindi film
  10. Ramaiya Vastavaiya

 

Pancham Unmixed – DVD Review

Pancham Unmixed is a homage to R.D. Burman by film-maker, Brahmanand Singh, the key word being “homage”. It is not a documentary or biography but an unabashed tribute offered by the filmmaker to his hero.

The 2-hour film is a compilation of interviews with people who knew and/or worked with Pancham and also with a few people who didn’t. The former works, the latter works only partially. The latter set of people consists of present day musicians like Shantanu Moitra, Shankar – Ehsaan – Loy and Vishal Bhardwaj, who look up to Pancham and have been influenced by his work. The views of these musicians add great value to the film. The latter set of people also consists of die-hard Pancham fans and in my opinion, the filmmaker wastes about 5 minutes of the viewers’ time talking to them. Compared to the other heavy-hitters in the DVD, the sections with the fans are banal and add no new perspective.

The real substance of the film is formed by the interviews with R.D. Burman’s contemporaries. These individuals offer us insights into Pancham’s life and work and through their voices emerges a picture of a creative, musical genius who changed Hindi film music forever. For most Pancham lovers, there are probably no new revelations but it’s still pretty cool to hear giants like Gulzar, Shammi Kapoor and Asha Bhosle talk about R.D. Burman, his creativity, his ability to marry melody and rhythm, his willingness to experiment and his knack of getting the best out of his singers.

The other really impactful set of conversations in the film is with people from Pancham’s team – Manohari Singh, Bhanu Gupta, Kersi Lord, etc. The tenderness with which they speak about R.D. Burman is touching and shows that Pancham was not just a great musician but also a very nice human being.

The film left me with a lump in my throat. I will probably watch sections of it again (Gulzar, Shammi Kapoor, Bhupinder, Asha Bhosle, Vidhu Vinod Chopra and Bhanu Gupta being my favorite ones) but that’s probably because I am a Pancham fan to begin with. This DVD is really a fan collectible and people wanting to get to know Pancham and his work better will find more value in the National Award-winning book, R.D. Burman – The Man, The Music.

The product I bought from Flipkart (link below) had two DVDs – one had the film and the other had a collection of 30 R.D. Burman songs. – and a coffee table book. If you have the option of purchasing only the film’s DVD, go for that. I’m not sure who picked them but the choice of songs in the extra DVD is quirky at best. I also found the coffee table book wanting in quality in terms of the content as well as the design.

[Update: Pancham Unmixed is now available on YouTube. You can try before you buy.]

Partners In Crime – Documentary Review

After my posts – Piracy is Mainstream and Why People Don’t Talk About Pirate Consumers – one of the readers of the blog recommended that I watch a documentary called Partners in Crime. I had heard about this documentary on Twitter but never got around to seeing it. I finally saw it last week and I am glad I did.

The documentary directed by Paromitra Vohra does a great job of asking a series of questions related to piracy but allows the viewers to draw their own conclusions. Some insights from the documentary:

  1. Many people don’t realize that piracy is illegal and they don’t believe they’re downloading for free because they pay for the internet connection and for membership to torrent sites (according to one interviewee – $10 for lifetime memberships for unlimited downloads). People also don’t view playing of music in public as illegal, since music is available for free in the first place.
  2. Some people feel that listening to music or watching movies is a social experience and sharing them only enhances the experience.
  3. Rare, concert recordings of masters are available in people’s private collections but cannot be released to public because of copyright issues. Record labels will not pay for these recordings and legal heirs of musicians are not willing to release these recordings for free.
  4. A lot of rare songs, specially non-film songs, are not archived or available easily to public.
  5. The business of pirated CDs and DVDs happens with the approval of the police. Cops need to get paid no matter what – it could be either to stop piracy or to allow it to happen.
  6. There is another way to look at roadside piracy – it provides livelihood to sellers and also gives cheap access to movies/music to a class of people who would not be able to afford them legally.
  7. It’s extremely difficult and/or expensive to legally license copyrighted work. Copyright owners are arrogant and unwilling to negotiate fair deals.
  8. Big companies copy/adapt folk songs to produce copyrighted songs. If they lifted the music in the first place, how can they own it? For example, how can Munni Badnam Hui be a copyrighted song when it is really just an adaptation of a folk song?
  9. Copyright owners are greedy and want supernormal profits. They stiff content creators by getting exclusive rights and paying content creators a pittance. As a result, content creators are either not motivated to produce original content or decide to self-publish.
  10. The anti-piracy crowd has it’s share of not-very-pleasant characters – a) The head of an NGO against piracy who talks about getting funding from CSR budgets of companies and compares piracy with illegal drug/gun trade. b) Companies that became big by flouting copyright rules in the first place, c) Big corporations who are capable of influencing governments to change laws in their favour. d) Bollywood film makers who have copied ideas from Hollywood.
  11. Intellectual Property Rights create barriers to content for people with disabilities. It’s very difficult to reproduce content in a format that can be accessed by people with disabilities.
  12. Copyright owners have no interest in catering to smaller, niche markets. This creates artificial shortage in supply, which in turn results in piracy.

Recommended.

If You Like Kun Faya Kun

A non-establishment, music-buffs-based group called RMIM Puraskar came up with it’s list of the best songs of 2011 this morning and Kun Faya Kun came out on top. So I decided to give to check out MySwar recommendations based on Kun Faya Kun. Here it goes:

Huq Ali – I was absolutely floored by this recommendation because I had never heard this song before and because it is brilliant! Musically, Huq Ali is as traditional a qawwali as Kun Faya Kun is modern. The song is relatively light on accompaniments – a harmonium, a tabla and the qawwals’ claps – but the voices of Nusrat Fateh Ali Khan, Mujahad Ali and the qawwal party have massive impact. If you’re not moved by this song, you’re probably made of rock or something. The video. I am not too sure about the official credits for Khayyam and Nida Fazli though. Please clarify in the comments if you know.

Bismillah – A very good song, mellow and soulful. I will go out on a limb and say that it’s as good a song as Kun Faya Kun. In my view, the only thing that goes against is that it’s not as hummable and doesn’t have Kun Faya Kun’s killer refrain hook.

Rangrez (Wadali Bros) – This is the song you have to listen to if you need to understand why there is so much about newcomer music director Krsna, who won 2012’s R.D. Burman Award from Filmfare. Not surprisingly, Rangrez appears in RMIM Puraskar’s list right below Kun Faya Kun.

Khwaja Ji Mere Khwaja Ji – A hidden, forgotten gem with some nice alaaps and harkats.

Madine Ki Galiyon Se – The song did not do it for me. One reason could be that Suresh Wadkar and Anwar’s voices don’t really seem suited for a qawwali. Another that it seems to follow a predictable filmi-qawwali template. One of those songs in which Anwar sounds uncannily like Mohd Rafi (blasphemy?!).

Tu Hi Tu – Some solid singing by Roop Kumar Rathod and Javed Ali is completely undone by two things – a) the extravagant filmi interludes, and b) the fact that the song is an un-credited rip-off of Allah Hu.

Aawan Akhiyan Jawan Akhiyan – Himesh’s voice (Aannnnnnwan Annnkhiyannnnnn….) totally kills what could otherwise have been a nice song.

More Haji Piya – Some interesting portions – sargams and the closing – but overall so-so.

Do Aalam Ka Sultan Hai – A simple, solid qawwali that gets you rocking and swaying. Wonder whether the Sabri Brothers credited on the song are the original Pakistani Sabri Brothers or the Indian ones. Probably the latter.

Allah Hi Reham – A lovely, lovely song. With Ustad Rashid Khan’s voice (watch for the killer opening), how can it not be?!

Mavrix Monthly Update January 2012

MySwar.in opens up to public. We started the new year with a bang by opening up the MySwar beta for public on Jan 10. Thanks to all those who have used the website! Many of you have given us valuable feedback and we will be addressing them in future releases. Meanwhile, if you like what we have built please tell your friends about us by liking our Facebook page.

 

60s music coming up soon. Many of our users have asked us when the music from 60s would be listed on our website. The answer– Early next week! We spent most of January reviewing and cleaning up the 60s data. Sidenote: Here’s one of my favorite trivia from the music of the 60s:

Koi Humdun Na Raha is a direct lift, both musically and lyrically, of a song composed by Saraswati Devi, written by Jamuna Swarup Kashyap and sung by Kishore Kumar’s elder brother Ashok Kumar for the 1936 movie, Jeevan Naiya. None of the original artists were credited for the Jhumroo version of the songs.

Check out the original song here:

 

What next? Here is a partial list of things we’re working on now:

  • Analysis of the 50s music
  • Data cleanup – We know there are missing songs, albums, typos, etc. Some of you have helped us find these out and we’re chipping away at fixing these data issues. Please keep sending your inputs our way.
  • Categorized search suggestions – We suggest albums, songs and artists as you type in the Search box. We’re working at categorizing these suggestions as Albums, Songs and Artists to make it easier for you to find the item you are looking for.
  • Advanced search option – Our current search is rather basic. With the advanced search option you’ll be able to specify more search criteria and therefore the exact set of songs you were looking for.
  • Browse awards – An easy way to look at all award-winning albums and songs.
  • Many more…. Stay tuned…